Alejado de efectismos y más serio que de costumbre, François Ozon, con ‘Gracias a Dios’, marca una ruptura en su filmografía para hablar del caso de pederastia que salpicó recientemente a la iglesia en Francia
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.